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SDG

Glorify Thy Name. Arrangement: Gertim (SDG)

SDG

2:13	Est. Play Time
48	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	5	100%
	17	2	5	100%
Alto	4	0	1	8%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	2	5	100%
	17	2	5	100%
Alto	4	0	1	8%

Wilhelmus van Nassouwe. Dutch national anthem. Nederlands volkslied. 2nd oldest national anthem in the world.

SDG

1:04	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	11	0	0	4	100%
	11	0	0	4	100%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	11	0	4	100%
	11	0	4	100%
	14	1	4	100%
	14	1	4	100%
Organ	11	0	4	100%
	9	1	4	50%
	14	1	4	100%
C Trumpet	9	0	4	100%
English Horn	9	0	4	100%
Flute	9	0	4	100%
Oboe	9	0	4	100%
Soprano/Alto	11	0	4	100%
Tenor/Bass	14	1	4	100%
Violin	9	0	4	100%
Contrabass	9	1	4	50%
Viola	7	0	4	50%
Violoncello	9	1	4	50%
Soprano	2	0	1	10%
	2	0	1	10%
	2	0	1	10%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	0	1	6%
	14	0	3	5	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	16	3	4	100%
	16	3	4	100%
Soprano/Alto	14	3	5	100%
Tenor/Bass	16	3	4	100%
Contrabass	14	2	2	50%

Stabat mater, Zoltan Kodaly

SDG

0:39	Est. Play Time
8	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	5	0	0	3	100%
Bass	10	0	2	3	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	5	0	3	100%
Bass	10	2	3	100%
Soprano	8	1	3	100%
Tenor	6	1	3	100%

Ruht wohl ruht wohl ihr heiligen Gebeine, St. John Passion, BWV 245-39.

SDG

6:35	Est. Play Time
129	Measures
	3,658Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	0	7	5	96%
Organo e Continuo	0	0	0	0	0%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	7	5	96%
Organo e Continuo	0	0	0	0%
	21	7	5	96%
Violoncello	21	7	5	96%
Viola	23	8	5	89%
Violino II	23	8	5	89%
Violino I	26	10	6	88%
Alto	17	7	6	77%
Soprano	20	8	6	77%
Tenore	18	6	6	77%
Flauto traverso I,II	23	8	6	73%
Basso	18	7	5	67%
Oboe I/II	23	8	6	60%

Paschal Lamb, by God appointed, Hyfrydol, Bakewell, Prichard. Come thou long expected Jesus.

SDG

1:12	Est. Play Time
24	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S A	14	1	5	100%
T B	10	1	5	100%
Bass	5	0	2	11%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S A	14	1	5	100%
T B	10	1	5	100%
Bass	5	0	2	11%

27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach

SDG

0:43	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	0	2	4	100%
	11	0	2	4	50%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	2	4	100%
	11	2	4	50%
Horn in F	6	0	4	100%
Oboe	6	0	4	100%
Soprano/Alto	14	2	4	100%
Tenor/Bass	22	4	5	100%
Viola	10	2	5	100%
Contrabass	18	3	3	45%
Violoncello	18	3	3	45%
Tenor	2	0	1	8%

80. Ermuntre dich, mein schwacher Geist. J.S. Bach, Schop, Rist. BWV 248.12 (Weihnachts-Oratorium).

SDG

0:52	Est. Play Time
14	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	4	4	100%
Tenor/Bass	23	5	4	100%
Soprano	1	0	1	5%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	4	4	100%
Tenor/Bass	23	5	4	100%
Soprano	1	0	1	5%

309. Singt dem Herrn ein neues Lied. BWV 411. Johann Sebastian Bach.

SDG

0:54	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	3	5	100%
Tenor/Bass	18	0	5	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	3	5	100%
Tenor/Bass	18	5	5	100%
Contrabass	13	2	5	50%
Bass	3	0	2	6%

42. Christum wir sollen loben schon. BWV 121.6. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	5	6	100%
Tenor/Bass	24	0	6	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	5	6	100%
Tenor/Bass	24	6	6	100%
Contrabass	17	4	5	46%
Alto	3	0	2	6%

52. Da der Herr Christ zu Tische sass. BWV 285. Johann Sebastian Bach

SDG

0:41	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	3	4	100%
Tenor/Bass	18	0	3	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	4	100%
Tenor/Bass	18	3	5	100%
Contrabass	13	1	5	50%
Tenor	3	0	2	8%

36. Christ ist erstanden. BWV 276. J.S. Bach, Klug.

SDG

1:59	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	0	5	7	100%
Tenor/Bass	26	0	8	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	5	7	100%
Tenor/Bass	26	8	7	100%
Contrabass	19	6	7	50%
Soprano	2	0	1	3%

Die Himmel erzählen die Ehre Gottes, die Schöpfung, the creation, Haydn.

SDG

6:50	Est. Play Time
197	Measures
	4,797Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	25	5	8	7	91%
Bassi	25	5	7	7	91%
View all 33 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	25	5	8	7	91%
Bassi	25	5	7	7	91%
Violin I	29	6	7	5	87%
Violin I (rep)	29	6	7	5	87%
Violin II	25	13	8	6	85%
Viola	22	0	6	7	70%
Oboe II	18	0	4	6	70%
(Clarinet repeat Oboe I)	14	0	3	6	69%
Oboe I e Clarinetti	14	0	3	6	69%
Flauti	22	1	6	6	67%
Fagotti	26	3	8	7	64%
Basso	18	0	6	6	63%
Basso II	18	0	6	6	63%
Basso III	18	0	6	6	63%
Tenore	16	0	4	6	63%
Tenore II	16	0	4	6	63%
Tenore III	16	0	4	6	63%
Alto	15	0	5	6	59%
Alto II	15	0	5	6	59%
Alto III	15	0	5	6	59%
Soprano	10	0	1	6	59%
Soprano II	10	0	1	6	59%
Soprano III	10	0	1	6	59%
Contra Fagotti	20	0	5	7	59%
Trombone III	24	0	6	7	53%
Corni in C (French horns)	9	6	0	5	47%
Clarini in C (Trumpets)	10	7	0	5	44%
Timpano in C	2	0	0	3	35%
Trombone	10	0	2	4	30%
Trombone II	12	0	0	5	30%
Soprano Solo (Gabriel)	13	0	3	3	24%
Basso solo (Raphael)	9	0	2	4	23%
Tenore Solo (Uriel)	10	0	1	4	23%

16. Allein zu dir, Herr Jesu Christ. BWV 33.6.

SDG

1:14	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	3	5	100%
Tenor/Bass	23	0	6	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	5	100%
Tenor/Bass	23	6	6	100%
Contrabass	19	5	4	52%
Bass	4	0	2	20%
Tenor	4	0	2	16%

51. Christus ist erstanden, hat überwunden. BWV 284. J.S. Bach, Michael Weisse.

SDG

0:44	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	12	0	4	4	100%
Tenor/Bass	19	0	5	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	12	4	4	100%
Tenor/Bass	19	5	5	100%
Contrabass	14	4	3	50%
Alto	2	1	1	13%
Bass	2	1	1	7%